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The Music were an English alternative rock band, formed in Kippax, Leeds in 1999. Comprising Robert Harvey (vocals, guitar), Adam Nutter (lead guitar), Stuart Coleman (bass) and Phil Jordan (drums), the band came to prominence with the release of their debut album, The Music, in 2002. The band released two further studio albums, Welcome to the North (2004) and Strength in Numbers (2008), before parting ways in 2011.^[1]

• 3Discography

Career[edit]

The Music all met at Brigshaw High School, except Phil Jordan who went to Garforth, and began playing in 1999 as Insense. In 2001 the song 'Take the Long Road and Walk It' circulated as a demo before being released by Fierce Panda as a 1000-copies-only single, a rarity from its day of release. Around this time NME and Steve Lamacq were describing them as the best unsigned band in Britain. The band were quickly signed by Hut, who released their first EP You Might as Well Try to Fuck Me.

In 2002, following another EP (The People) they released their eponymous début album which reached No. 4 in the UK album charts. Their début single was re-issued as part of a two-disc set to promote the album, and reached No. 14 in the singles chart. Two further singles from the album, 'Getaway' and 'The Truth is No Words' reached No. 26 and No. 18 respectively. June 2003 saw them filling in for an absent Zwan on the Pyramid Stage at Glastonbury Festival.^[2]

In autumn 2004, they released their second album Welcome to the North and the accompanying single 'Freedom Fighters', before touring with Incubus. August 2005 saw the band play at the dual-venue V Festival. In late 2006 they played a few UK gigs and subsequently posted on their site the video new song entitled, Fire, which would eventually be released on Strength in Numbers two years later. The site also featured a video for unreleased track Kill 100 by X-Press 2 featuring Robert Harvey.

Advantages and disadvantages of the serial dilution agar plate techniques. The band signed a new deal with Polydor in 2007 and spent the rest of the year recording their third album with producers Flood and Paul Hartnoll.

During this time Harvey also revealed the reason for the band's extended absence. On The Music's official website, he told of his initial abuse of drugs in his mid-teens: 'the addiction began to sit into its groove. At first it was a joy then later became a habit and a way of escaping'. He later quit drugs, but around the time of the band's second album, had replaced the addiction with alcohol: 'Drinking became the place to hide. I'd have a bottle of wine before 7 pm, then go out and make a fool of myself. The next day was always panic and more questions it took a close friend to say to me 'Robert, you are depressed'. He sought help at the end of 2005, and undertook a program that included medication.^[3]

In June 2008, the band released their comeback single 'Strength in Numbers', and the album Strength In Numbers the following week.

In January 2010, the band began demoing material for their fourth studio album. The album was due for release sometime 2011.^[4] However, Harvey left the band in September 2010, and following a series of final farewell shows, The Music split up in August 2011.^[5][6][7]

Harvey has since gone on to work with The Streets, collaborating on the album Computers and Blues. Mike Skinner of The Streets and Harvey also released a Christmas song in December 2010, called Scrooge And Marley – I Don't Want It To Be Me.^[8]

On 31 March 2011, The Music announced a series of farewell gigs on their website. The band played three shows in Japan 25–27 July. They then played Brixton Academy London, England on 4 August, before bringing the curtain down on their career with two home town gigs at the O2 Academy in Leeds on 5 and 6 August.^[9]

On 21 April 2011 the band released the newest and final song of their career on their official website. 'Ghost Hands' was recorded for their now scrapped fourth studio album sessions. Talking about the single lead singer Robert Harvey said:

'We love the track and it just seemed a shame to leave it gathering dust forever. It's good to go out with something positive and new and we think it deserves to see the light of day. Hopefully the fans will agree – again we want to thank everyone who's been with us on this journey and look forward to celebrating an amazing ten years this summer.'^{[citation needed]}

Following the end of their final tour, the band, in conjunction with Concert Live, released a live CD/DVD package entitled The Last Dance: Live which captures the gigs from 4 and 6 August respectively.

Shortly after The Music disbanded, Harvey embarked on a new musical project dubbed The D.O.T. with former The Streets frontman Mike Skinner. The duo released an album, And That, on 22 October 2012.

Band members[edit]

• Robert Harvey - vocals and guitar
• Adam Nutter - guitar
• Stuart Coleman - bass
• Phil Jordan - drums

Discography[edit]

Studio and compilation albums[edit]

Singles and EPs[edit]

• ¹The People E.P. reached No. 35 on the UK Indie Chart.^[23]
• ² 'The Truth Is No Words' single was released in Australia a double A-side with The People E.P.^[20]
• ³ 'Welcome to the North' reached No. 3 on the UK Download Chart.^[23]

DVDs[edit]

• Live at the Blank Canvas (1 September 2003)
• Welcome to Japan (18 July 2005)
• The Last Dance: Live (August 2011)

References[edit]

1. ^The MusicArchived 14 August 2007 at the Wayback Machine. The Music (2011-04-23). Retrieved on 10 April 2012.
2. ^'Drowned In Sound Review 2003'. Retrieved 9 November 2003.
3. ^'Robert Harvey talks about his depression – Gigwise'. Retrieved 13 August 2008.
4. ^Lindsay, Andrew. 'The Music begin demoing new album'. stereokill.net. Archived from the original on 7 March 2010. Retrieved 5 June 2012.
5. ^'Rob Harvey reveals why The Music are splitting up'. NME. 5 April 2011. Retrieved 5 June 2012.
6. ^'The Music show off their singles'. Virgin.com. 23 February 2011. Archived from the original on 7 April 2012. Retrieved 5 June 2012.
7. ^'The Music Singles & EPs 2001–2005 Review'. BBC. Retrieved 5 June 2012.
8. ^'NEWS: The Streets & Rob Harvey Release Christmas Song'. Ripitup.co.nz. 13 December 2010. Archived from the original on 8 March 2012. Retrieved 5 June 2012.
9. ^
10. ^ ^ab'UK album chart positions'. chartstats.com. Archived from the original on 19 January 2013. Retrieved 24 December 2008.
11. ^'Australian album chart positions'. australian-charts.com. Retrieved 24 December 2008.
12. ^'French album chart positions'. lescharts.com. Retrieved 24 December 2008.
13. ^'Irish album chart positions'. irish-charts.com. Retrieved 26 January 2010.
14. ^'Italian album chart positions'. italiancharts.com. Retrieved 24 December 2008.
15. ^'Japanese album chart positions'. oricon.co.jp/. Retrieved 4 January 2010.
16. ^Billboard, Allmusic
17. ^'GOLD ALBUM 他認定作品 2003年3月度' [Gold Albums, and other certified works. March 2003 Edition] (PDF). The Record (Bulletin) (in Japanese). Chūō, Tokyo: Recording Industry Association of Japan. 522: 13. 10 May 2003. Archived from the original(PDF) on 29 January 2014. Retrieved 29 January 2014.
18. ^ ^ab'British certificates: searchable database'. British Phonographic Industry. Retrieved 26 January 2010.
19. ^'The Music Gold'(PDF). pandora.nla.gov.au. Retrieved 10 February 2009.
20. ^ ^ab'The People Australian position'(PDF). pandora.nla.gov.au. Retrieved 10 February 2009.
21. ^'Freedom Fighters Dutch position'. dutchcharts.nl. Retrieved 10 February 2009.
22. ^'Breakin US position'. allmusic.com. Retrieved 12 March 2009.
23. ^ ^abcd'UK chartlog'. zobbel.de. Retrieved 10 February 2009.
24. ^'Breakin Australian position'(PDF). pandora.nla.gov.au. Retrieved 10 February 2009.

External links[edit]

• The Music at AllMusic

A rock band or pop band is a small musical ensemble which performs rock music, pop music or a related genre. The four-piece band is the most common configuration in rock and pop music. Before the development of the electronic keyboard, the configuration was typically two guitarists (a lead guitarist and a rhythm guitarist, with one of them singing lead vocals), a bassist, and a drummer (e.g. the Beatles, KISS, Metallica). Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer (e.g. the Who, the Monkees, Led Zeppelin, Queen, and U2). Instrumentally, these bands can be considered as trios.

Foreign assistance. A Pew Research study confirms this: 'Positive opinions of the U.S. Deloitte brand guidelines pdf.

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The smallest ensemble that is commonly used in rock music is the trio format. Two-member rock and pop bands (such as Steely Dan, The White Stripes and The Black Keys) are relatively rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound (vocals, chords, bass lines, and percussion or drumming). In a hard rock or blues-rock band, or heavy metal rock group, a 'power trio' format is often used, which consists of an electric guitar player, an electric bass guitar player and a drummer, and typically one or more of these musicians also sing (sometimes all three members will sing, e.g. Bee Gees or Alkaline Trio). Some well-known power trios with the guitarist on lead vocals are the Jimi Hendrix Experience, Stevie Ray Vaughan and Double Trouble, Nirvana, the Jam, ZZ Top, and Green Day, while power trios with the bass guitarist on lead vocals include Cream, Rush, The Police and Motörhead.

Two members[edit]

Two-member rock and pop bands are relatively rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound (vocals, chordal accompaniment, bass lines, and percussion or drumming). Two-member rock and pop bands typically omit one of these musical elements. In many cases, two-member bands will omit a drummer, since guitars, bass guitars, and keyboards can all be used to provide a rhythmic pulse.

Examples of two-member bands are The White Stripes, Pet Shop Boys, Hella, Flight of the Conchords, the Ting Tings, Hall & Oates, Twenty One Pilots and T. Rex (until shortly after scoring their UK breakthrough hit, at which point they expanded to a four piece).

When electronic sequencers became widely available in the 1980s, this made it easier for two-member bands to add in musical elements that the two band members were not able to perform. Sequencers allowed bands to pre-program some elements of their performance, such as an electronic drum part and a synth bass line. Two-member pop music bands such as Soft Cell, Blancmange and Yazoo used pre-programmed sequencers. Other pop bands from the 1980s which were ostensibly fronted by two performers, such as Wham!, Eurythmics and Tears for Fears, were not actually two-piece ensembles, because other instrumental musicians were used 'behind the scenes' to fill out the sound. Modern bands that use this format include Ninja Sex Party and Death Grips.

Two-piece bands in rock music are quite rare. However, starting in the 2000s, blues-influenced rock bands such as the White Stripes and the Black Keys utilized a guitar-and-drums scheme. Death from Above 1979 featured a drummer and bass guitarist. Tenacious D is a two-guitar band; One Day as a Lion and the Dresden Dolls both feature a keyboardist and a drummer. Ratatat are a two-guitar band that utilize a drum machine for beats. W.A.S.P. guitarist Doug Blair is also known for his work in the two-piece progressive rock band signal2noise, where he acts as the lead guitarist and bassist at the same time, thanks to a special custom instrument he invented (an electric guitar with five regular guitar strings paired with three bass guitar strings). Heisenflei of Los Angeles duo the Pity Party plays drums, keyboards, and sings simultaneously. Royal Blood is a two-piece band that uses bass and drums along with electronic effects.

Three members[edit]

The smallest ensemble that is commonly used in rock music is the trio format. In a hard rock or blues-rock band, or heavy metal rock group, a 'power trio' format is often used, which consists of an electric guitar player, an electric bass guitar player and a drummer, and typically one or more of these musicians also sing (sometimes all three members will sing, e.g. Bee Gees or Alkaline Trio). Some well-known power trios with the guitarist on lead vocals are the Jimi Hendrix Experience, Stevie Ray Vaughan and Double Trouble, Nirvana and Muse.

A handful of others with the bassist on vocals include Thin Lizzy (from 1970 to 1974), Primus, Rush, Motörhead, the Police and Cream.

Some power trios feature two lead vocalists. For example, in the band Blink-182 vocals are split between bassist Mark Hoppus and guitarist Matt Skiba, or in the band Dinosaur Jr., guitarist J. Mascis is the primary songwriter and vocalist, but bassist Lou Barlow writes some songs and sings as well.

An alternative to the power trio are organ trios formed with an electric guitarist, a drummer and a keyboardist. Although organ trios are most commonly associated with 1950s and 1960s jazz organ trio groups such as those led by organist Jimmy Smith, there are also organ trios in rock-oriented styles, such as jazz-rock fusion and Grateful Dead-influenced jam bands, for instance Medeski Martin & Wood. In organ trios, the keyboard player typically plays a Hammond organ or similar instrument, which permits the keyboard player to perform bass lines, chords, and lead lines. A variant of the organ trio are trios formed with an electric bassist, a drummer and an electronic keyboardist (playing synthesizers) such as the progressive rock band Emerson, Lake & Palmer.

A power trio with the guitarist on lead vocals is a popular record company lineup, as the guitarist and singer will usually be the songwriter. Therefore, the label only has to present one 'face' to the public. The backing band may or may not be featured in publicity. If the backup band is not marketed as an integral part of the group, this gives the record company more flexibility to replace band members or use substitute musicians. This lineup often leads to songs that are fairly simple and accessible, as the frontman (or frontwoman) will have to sing and play guitar at the same time. For example, in the band Psuperbrain guitarist Bob Schaeffer is the primary songwriter and vocalist, drummer Bubba Dixon, bass Kurt Morgan.

Four members[edit]

The four-piece band is the most common configuration in rock and pop music. Before the development of the electronic keyboard, the configuration was typically two guitarists, a bassist, and a drummer (e.g. the Beatles, KISS, Metallica, Rise Against, the Clash and the Smashing Pumpkins).

Another common formation is a vocalist, electric guitarist, bass guitarist, and a drummer (e.g. Van Halen, the Who, Queen, Led Zeppelin and Blur). Instrumentally, these bands can be considered as trios.

In some rock bands, keyboardists are used in place of bass, performing with a guitarist, singer and drummer, for instance the Doors. Some bands will have a guitarist, bassist, drummer, and keyboard player, for example the Talking Heads, the Small Faces and Pink Floyd.

Some bands will have the bassist on lead vocals, such as Thin Lizzy (a four piece from 1974 onwards), Pink Floyd, Motörhead (as a four piece 1984-1995), or even the lead guitarist, such as Dire Straits, Megadeth, Weezer, and Creedence Clearwater Revival. Some bands, such as the Beatles, have a lead guitarist, a rhythm guitarist and a bassist that all sing lead and backing vocals, that also play keyboards regularly, as well as a drummer. Others, such as the Four Seasons, have a lead vocalist, a lead guitarist, a keyboard player, and a bassist, with the drummer not being a member of the band.

Five members[edit]

Five-piece bands have existed in rock music since the development of the genre. The Beach Boys, Aerosmith, AC/DC and Oasis are examples of the common lineup of vocalist, lead guitar, rhythm guitar, bass, and drums. An alternative lineup replaces the rhythm guitarist with a keyboard–synthesizer player (examples being the bands Journey, Dream Theater, Marilyn Manson, and Deep Purple). Another alternative replaces the rhythm guitarist with a turntablist, such as in the Deftones, Incubus or Limp Bizkit.

Further alternatives include a keyboardist, guitarist, drummer, bassist, and saxophonist, such as the Sonics, the Dave Clark 5, and Sam the Sham and the Pharaohs. Three guitarists may be present with a bassist and a drummer, such as in the bands Radiohead and the Byrds. Some five-person bands feature two guitarists, a keyboardist, a bassist and a drummer, with one or more of these musicians (typically one of the guitarists) handling lead vocals on top of their instrument (examples being Children of Bodom and Styx). The four piece arrangement can be augmented to five with a second drummer playing a separate full drumkit, such as Adam and The Ants from 1980 onwards although other formations can also be expanded using two drummers such as Pink Fairies 1970-1971, The Glitter Band, Wizzard, Sigue Sigue Sputnik, Add N to (X) and Rialto.

Other times, the vocalist will bring another musical 'voice' to the table, most commonly a harmonica or percussion; Mick Jagger, for example, plays harmonica and percussion instruments like maracas and tambourine in the Rolling Stones. Ozzy Osbourne played the harmonica on some occasions with Black Sabbath. Flutes may also be used by vocalists, most notably Ian Anderson of Jethro Tull and Ray Thomas of the Moody Blues.

Larger rock ensembles[edit]

Larger bands have long been a part of rock and pop music, in part due to the influence of the 'singer accompanied with orchestra' model inherited from popular big-band jazz and swing and popularized by Frank Sinatra and Ella Fitzgerald. To create larger ensembles, rock bands often add an additional guitarist, an additional keyboardist, additional percussionists or second drummer, an entire horn section, and even a flautist. An example of a six-member rock band is Toto with a lead vocalist, guitarist, bassist, two keyboard players, and drummer. Other examples include Australian band INXS and American Blondie; both consist in a lead vocalist, two guitarists, a keyboard player, a bassist and a drummer. The American heavy metal band Slipknot is composed of nine members, with a vocalist, two guitarists, a drummer, a bassist, two custom percussionists, a turntablist, and a sampler. Brazilian band Titãs, currently a three-man band, had as many as eight members in the late 1980s, with three lead singers, two guitarists, bassist, keyboard player and drummer.

In larger groups (such as the Band), instrumentalists could play multiple instruments, which enabled the ensemble to create a wider variety of instrument combinations. More modern examples of such a band are Arcade Fire and the Edward Sharpe and the Magnetic Zeros. More rarely, rock or pop groups will be accompanied in concerts by a full or partial symphony orchestra, where lush string-orchestra arrangements are used to flesh out the sound of slow ballads. Rhys Chatham and Glenn Branca started doing performances in the late 1970s with orchestras consisting of ten to hundred (Branca) and even four hundred guitars.^[1] Some groups have a large number of members that all play the same instrument, such as guitar, keyboard, horns or strings.

Role of women[edit]

Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. '[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based.. experience, shaped by existing sex-segregated friendship networks.^[2] As well, rock music '..is often defined as a form of male rebellion vis-à-vis female bedroom culture.'^[3] In popular music, there has been a gendered 'distinction between public (male) and private (female) participation' in music.^[3] '[S]everal scholars have argued that men exclude women from bands or from the bands'rehearsals, recordings, performances, and other social activities.'^[4] 'Women are mainly regarded as passive and private consumers of allegedly slick, prefabricated – hence, inferior – pop music.., excluding them from participating as high status rock musicians.'^[4] One of the reasons that there are rarely mixed gender bands is that 'bands operate as tight-knit units in which homosocial solidarity – social bonds between people of the same sex.. – plays a crucial role.'^[4] In the 1960s pop music scene, '[s]inging was sometimes an acceptable pastime for a girl, but playing an instrument..simply wasn't done.'^[5]

'The rebellion of rock music was largely a male rebellion; the women—often, in the 1950s and '60s, girls in their teens—in rock usually sang songs as personæ utterly dependent on their macho boyfriends..'. Philip Auslander says that 'Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music'. Though some women played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So they 'did not provide viable templates for women's on-going participation in rock'.^[6]:2–3 In relation to the gender composition of heavy metal bands, it has been said that '[h]eavy metal performers are almost exclusively male'^[7] '..[a]t least until the mid-1980s'^[8] apart from '..exceptions such as Girlschool.'^[7] However, '..now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it',^[9] 'carv[ing] out a considerable place for [them]selves.'^[10]When Suzi Quatro emerged in 1973, 'no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader'.^[6]:2 According to Auslander, she was 'kicking down the male door in rock and roll and proving that a female musician .. and this is a point I am extremely concerned about .. could play as well if not better than the boys'.^[6]:3

References[edit]

1. ^Chatham
2. ^Julian Schaap and Pauwke Berkers. 'Grunting Alone? Online Gender Inequality in Extreme Metal Music' in Journal of the International Association for the Study of Popular Music. Vol.4, no.1 (2014) p. 101-102
3. ^ ^abJulian Schaap and Pauwke Berkers. 'Grunting Alone? Online Gender Inequality in Extreme Metal Music' in Journal of the International Association for the Study of Popular Music. Vol.4, no.1 (2014) p. 102
4. ^ ^abcJulian Schaap and Pauwke Berkers. 'Grunting Alone? Online Gender Inequality in Extreme Metal Music' in Journal of the International Association for the Study of Popular Music. Vol.4, no.1 (2014) p. 104
5. ^Erika White (28 January 2015). 'Music History Primer: 3 Pioneering Female Songwriters of the '60s REBEAT Magazine'. Rebeatmag.com. Retrieved 20 January 2016.
6. ^ ^abcAuslander, Philip (28 January 2004). 'I Wanna Be Your Man: Suzi Quatro's musical androgyny'(PDF). Popular Music. United Kingdom: Cambridge University Press. 23 (1): 1–16. doi:10.1017/S0261143004000030. Archived from the original(PDF) on 24 May 2013. Retrieved 25 April 2012.
7. ^ ^abBrake, Mike (1990). 'Heavy Metal Culture, Masculinity and Iconography'. In Frith, Simon; Goodwin, Andrew (eds.). On Record: Rock, Pop and the Written Word. Routledge. pp. 87–91.
8. ^Walser, Robert (1993). Running with the Devil:Power, Gender and Madness in Heavy Metal Music. Wesleyan University Press. p. 76.
9. ^Eddy, Chuck (1 July 2011). 'Women of Metal'. Spin. SpinMedia Group.
10. ^Kelly, Kim (17 January 2013). 'Queens of noise: heavy metal encourages heavy-hitting women'. The Telegraph.

External links[edit]